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Sandro Botticelli The Story of Nastagio degli Onesti mk61
1483
Oil on panel
83x138cm
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Sandro Botticelli The Story of Nastagio degli Onesti mk61
1483
Detail
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Sandro Botticelli The Annunciation mk65
Tempera on panel
59x61 7/16in
Uffizi
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Sandro Botticelli The Calumny mk65
Tempera on panel
24 3/8x35 13/16in
Uffizi,Gallery
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Sandro Botticelli The Madonna and Child Enthroned,with SS.Mary Magdalen,Catherine of Alexandria,John the Baptist,Francis,and Cosmas and Damian mk65
Tempera on panel
66 15/16x76 3/8in
Uffizi,Gallery
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Sandro Botticelli Fortitude mk65
Tempera on panel
65 3/4x34 1/4in
Uffizi,Gallery
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Sandro Botticelli Madonna and Child,with the Young St.John and Two Angels mk65
Tempera on panel
33 7/16x24 7/16in
Accademia,Gallery
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Sandro Botticelli Hl.Augustinus mk66
1480
Fresko
152x112cm
Ognissanti,Florenz
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Sandro Botticelli The Coronation of the Virgin with SS.Eligius,John the Evangelist,Au-gustion,and Jerome mk67
Tempera on panel
148 13/16x101 9/16in
Uffizi,Gallery
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Sandro Botticelli St.Augustine in His Study mk67
Tempera on panel
16 1/8x10 5/8in
Uffizi,Gallery
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Sandro Botticelli Primavera-Spring nn05
c.1482
How the nymph became a goddess
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Sandro Botticelli Details of Primavera-Spring nn05
chloris
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Sandro Botticelli Details of Primavera-Spring nn05
venus
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Sandro Botticelli Details of Primavera-Spring nn05
The Flowers
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Sandro Botticelli Details of Primavera-Spring nn05
Flora
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Sandro Botticelli Details of Primavera-Spring nn05
The Brooch
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Sandro Botticelli Details of Primavera-Spring nn05
Mercury
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Sandro Botticelli Primavera mk68
Tempera on wood with oil glazes
Florence,Uffizi,
1481-1482
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Sandro Botticelli Birth of Venus mk68
Tempera on linen
38x9'
Florence,Uffizi,
c.1484
ltaly
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Sandro Botticelli Self-Portrait mk83
c.1475
Tempera on wood
Galleria Degli Uffizi,
Florence
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Sandro Botticelli
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Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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