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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

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Sandro Botticelli The Story of Nastagio degli Onesti oil painting

Painting ID::  28147

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Sandro Botticelli
The Story of Nastagio degli Onesti
mk61 1483 Oil on panel 83x138cm
   
   
     

 

 

Sandro Botticelli The Story of Nastagio degli Onesti oil painting

Painting ID::  28514

X 
 

Sandro Botticelli
The Story of Nastagio degli Onesti
mk61 1483 Detail
   
   
     

 

 

Sandro Botticelli The Annunciation oil painting

Painting ID::  28940

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Sandro Botticelli
The Annunciation
mk65 Tempera on panel 59x61 7/16in Uffizi
   
   
     

 

 

Sandro Botticelli The Calumny oil painting

Painting ID::  28941

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Sandro Botticelli
The Calumny
mk65 Tempera on panel 24 3/8x35 13/16in Uffizi,Gallery
   
   
     

 

 

Sandro Botticelli The Madonna and Child Enthroned,with SS.Mary Magdalen,Catherine of Alexandria,John the Baptist,Francis,and Cosmas and Damian oil painting

Painting ID::  28975

X 
 

Sandro Botticelli
The Madonna and Child Enthroned,with SS.Mary Magdalen,Catherine of Alexandria,John the Baptist,Francis,and Cosmas and Damian
mk65 Tempera on panel 66 15/16x76 3/8in Uffizi,Gallery
   
   
     

 

 

Sandro Botticelli Fortitude oil painting

Painting ID::  28976

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Sandro Botticelli
Fortitude
mk65 Tempera on panel 65 3/4x34 1/4in Uffizi,Gallery
   
   
     

 

 

Sandro Botticelli Madonna and Child,with the Young St.John and Two Angels oil painting

Painting ID::  28977

X 
 

Sandro Botticelli
Madonna and Child,with the Young St.John and Two Angels
mk65 Tempera on panel 33 7/16x24 7/16in Accademia,Gallery
   
   
     

 

 

Sandro Botticelli Hl.Augustinus oil painting

Painting ID::  29394

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Sandro Botticelli
Hl.Augustinus
mk66 1480 Fresko 152x112cm Ognissanti,Florenz
   
   
     

 

 

Sandro Botticelli The Coronation of the Virgin with SS.Eligius,John the Evangelist,Au-gustion,and Jerome oil painting

Painting ID::  29753

X 
 

Sandro Botticelli
The Coronation of the Virgin with SS.Eligius,John the Evangelist,Au-gustion,and Jerome
mk67 Tempera on panel 148 13/16x101 9/16in Uffizi,Gallery
   
   
     

 

 

Sandro Botticelli St.Augustine in His Study oil painting

Painting ID::  29754

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Sandro Botticelli
St.Augustine in His Study
mk67 Tempera on panel 16 1/8x10 5/8in Uffizi,Gallery
   
   
     

 

 

Sandro Botticelli Primavera-Spring oil painting

Painting ID::  30219

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Sandro Botticelli
Primavera-Spring
nn05 c.1482 How the nymph became a goddess
   
   
     

 

 

Sandro Botticelli Details of Primavera-Spring oil painting

Painting ID::  30220

X 
 

Sandro Botticelli
Details of Primavera-Spring
nn05 chloris
   
   
     

 

 

Sandro Botticelli Details of Primavera-Spring oil painting

Painting ID::  30221

X 
 

Sandro Botticelli
Details of Primavera-Spring
nn05 venus
   
   
     

 

 

Sandro Botticelli Details of Primavera-Spring oil painting

Painting ID::  30222

X 
 

Sandro Botticelli
Details of Primavera-Spring
nn05 The Flowers
   
   
     

 

 

Sandro Botticelli Details of Primavera-Spring oil painting

Painting ID::  30223

X 
 

Sandro Botticelli
Details of Primavera-Spring
nn05 Flora
   
   
     

 

 

Sandro Botticelli Details of Primavera-Spring oil painting

Painting ID::  30224

X 
 

Sandro Botticelli
Details of Primavera-Spring
nn05 The Brooch
   
   
     

 

 

Sandro Botticelli Details of Primavera-Spring oil painting

Painting ID::  30226

X 
 

Sandro Botticelli
Details of Primavera-Spring
nn05 Mercury
   
   
     

 

 

Sandro Botticelli Primavera oil painting

Painting ID::  30442

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Sandro Botticelli
Primavera
mk68 Tempera on wood with oil glazes Florence,Uffizi, 1481-1482
   
   
     

 

 

Sandro Botticelli Birth of Venus oil painting

Painting ID::  30443

X 
 

Sandro Botticelli
Birth of Venus
mk68 Tempera on linen 38x9' Florence,Uffizi, c.1484 ltaly
   
   
     

 

 

Sandro Botticelli Self-Portrait oil painting

Painting ID::  33293

X 
 

Sandro Botticelli
Self-Portrait
mk83 c.1475 Tempera on wood Galleria Degli Uffizi, Florence
   
   
     

 

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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s